Symptoms of Society
The group exhibition entitled "Symptoms of Society" focuses on presentation of artworks from different generations, countries and mediums dealing with their historical and political specificities and social circumstances as well as addressing global issues. To facilitate dialogue between works by artists of different generations and preferences in terms of media, and to present a coherent picture of the region, the selection of works was based on their themes and subjects.
In the process major themed sections evolved addressing different issues of contemporary society: the city and its urban development, national histories and art histories, “common” art systems and histories, territory, politics etc. While most works directly comment upon the present political and social reality, analyse the past, or scrutinize the position of the individual in these turbulent times of rapid change, they also possess a timelessness and universality that render them easily translatable into other social and political contexts. Questioning history and investigating the role and responsibility of the individual have always been at the heart of the interests, polemics and critiques of artists from the South-East Europe.
The picture in Eastern Europe changed in the 1990s, as the new sociopolitical orders gave rise to new cultural policies, thereby redefining the old and forming new art systems. But the circumstances were not the same across the board; in the region of former Yugoslavia, for instance, war raged for years in some of the newly-founded states. In the turbulent period after the dissolution of the common state, the systems in the new states developed along slightly different lines, implementing the models of the cultural policies and the art system of the capitalist West with varying degrees of success. Nonetheless, some common problem areas persist. For example, the art market continues to be just a buzzword used in national cultural strategies in all of the countries of former Yugoslavia. The cultural policy climate in Eastern European countries thus evidently calls for the critical reflection of artists and other workers in culture on the system of art in their countries.
The exhibition is featuring artists: Marina Abramović & Ulay, Maja Bajević, Luchezar Boyadjiev, Jasmina Cibic, Nemanja Cvijanović, Lana Čmajčanin, Braco Dimitrijević, Vadim Fiškin, Tomislav Gotovac, Ion Grigorescu, Flaka Haliti, Ibro Hasanović, Irwin, Hristina Ivanoska & Yane Calovski, Pravdoliub Ivanov, Sanela Jahić, Dalibor Martinis, Radenko Milak in Roman Uranjek, Ivan Moudov, Alban Muja, Vladimir Nikolić, Adrian Paci, Neša Paripović, Lia Perjovschi, Dan Perjovschi, Anri Sala, Sašo Stanojkovik, Mladen Stilinović, Miha Štrukelj, Raša Todosijević, Milica Tomić, Sislej Xhafa, Katarina Zdjelar.
Colophon
Production: Zheijang Art MuseumCoproduction: Museum and Galleries of LjubljanaCurator: Alenka GregoričArtists: Marina Abramović & Ulay, Maja Bajević, Luchezar Boyadjiev, Jasmina Cibic, Nemanja Cvijanović, Lana Čmajčanin, Braco Dimitrijević, Vadim Fiškin, Tomislav Gotovac, Ion Grigorescu, Flaka Haliti, Ibro Hasanović, Irwin, Hristina Ivanoska & Yane Calovski, Pravdoliub Ivanov, Sanela Jahić, Dalibor Martinis, Radenko Milak in Roman Uranjek, Ivan Moudov, Alban Muja, Vladimir Nikolić, Adrian Paci, Neša Paripović, Lia Perjovschi, Dan Perjovschi, Anri Sala, Sašo Stanojkovik, Mladen Stilinović, Miha Štrukelj, Raša Todosijević, Milica Tomić, Sislej Xhafa, Katarina ZdjelarText: Alenka GregoričExhibition layout: Ajdin BašićRealisation of the exhibition: Zheijang Art MuseumThe project was made possible by: Veleposlaništvo RS Peking, Ministry of Culture RS
Location
General information:
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Opening hours
Tuesday–Sunday: 11:00–19:00
Monday: Closed
1 January, 1 November, 25 December: Closed
24 and 31 December: 11:00–14:00
Tickets
Free entry.
City Art Gallery Ljubljana is a dog-friendly gallery.