Exhibitions

The exhibition On the Line of Flight – Towards Possible Worlds is a project by Teodora Nikčević and Anja Marković, curators at the Museum of Contemporary Art of Montenegro. It brings together works by Montenegrin artists of the younger and mid-career generations who work outside the established categories of conventional art forms. Their curatorial approach is clearly defined by last year's exhibition Living Images, which was part of a broader project of the aforementioned museum titled Montenegro Today.

The main exhibition of the Lighting Guerrilla Festival is one of the most visited projects of the Match Gallery. The 19th edition of the festival with a series of light installations is taking over the areas in the immediate surroundings of our gallery and other locations around Ljubljana. Specially for the exhibition at the Match Gallery, light installations were created by Antti Kulmala, Ida Hiršenfelder, Nika Erjavec, ::vtol:: and Laura Adel.

The Japanese artist Keiko Miyazaki (1978), who lives in Celje, uses her personal history to develop a multimedia exhibition which shows the intricate unravelling of the threads of love and intimate relationships, the rebuilding of partnership and family under the challenging conditions of contemporary consumerism and a society that worships eternal youth and beauty.

The internationally acclaimed and awarded photographer, photojournalist and documentary video/film maker Manca Juvan (b. 1981) presents her documentary art exhibition The Valley at the Match Gallery. It explores the impact of industrialization and industrial pollution in the middle Soča Valley in the broader context of everyday life and the beauty of nature.

John Fekner is considered one of the most "known-unknown" artists working in New York in the late 1970s and 1980s. He was part of the vibrant art scene of the time and exhibited with Don Leicht, Keith Haring, David Wojnarowicz, Jenny Holzer and others. Fekner's retrospective-documentary exhibition at the Match Gallery is the first solo presentation of his art in a public institution, which, interestingly, is located not far from the birthplace of the artist's father, Ivan Fekner, born in 1909 on Karlovška Street in Ljubljana.

The Terms exhibition presents a multifaceted exploration of Matej Stupica’s artistic practices, which encompass a range of disciplines. It features the work of numerous co-creators, showcasing the collaborative nature of Stupica’s oeuvre.