Exhibitions

The Terms exhibition presents a multifaceted exploration of Matej Stupica’s artistic practices, which encompass a range of disciplines. It features the work of numerous co-creators, showcasing the collaborative nature of Stupica’s oeuvre.

This year, the Lighting Guerrilla officially entered the age of adulthood - with the 18th edition of the festival, dedicated to the artistic exploration of the medium of light and considered to be a unique manifestation of this type in the local area. This year’s Lighting Guerrilla topic is Transformations; works selected thematise and reflect on different aspects of change and transformation that we are witnessing in our environment or in our lives.

The focus of the eighth edition of the exhibition series Ljubljana Bows to Slovenia is on Zasavje. The exhibition with a title of broad relevance, Tubolje reveals the artistic potential and cultural influences of the local districts through the works of Boris Beja, Đejmi Hadrović, Maša Jazbec, Matic Kos, Milan Razboršek and Ulla Žibert.

The exhibition Owned by artist and designer The Miha Artnak seeks to redefine our understanding of ownership and property by introducing innovative concepts of non-ownership and public-private property. Seven artworks challenge traditional views of art, exploring concepts of ownership, authorship, and authenticity using modern technology and services.

As a tribute to Ljubljana at the Match Gallery we host a retrospective exhibition of the Italian artist and performer Giovanni Morbin named Hybridizactions, from 1995 to the present. Since the beggining Morbin's artistic research has been linked to behaviour, and for him performance is the ideal tool to express ideas. In the 1990s, Morbin was a regular guest on the Ljubljana art scene and conceived and performed four Hybridizactions in the city, which later had a significant impact on his international artistic career. Morbin also prepared a new Hybridizaction 16, Evergreen for the exhibition in Ljubljana.

Dominik Mahnič, an emblematic figure nestled between the realms of academic painting, video mastery, technology, and street art insurgency, raises questions about the perpetual dialectics between classical artistry and the onslaught of contemporary technological modalities. Within this discourse emerges the Brushograph - a complex symbol not merely of art but also of the intersections between past, present, and anticipated futures.