Exhibitions

Dušica Dražić’s art practice primarily encompasses installations combining objects and video. Her works thematise spatial irregularities that offer possibilities for transformation. Wim Janssen works with a cross section of technologies and investigates the functions of audiovisual media. He usually presents the results of his investigations in the form of installations, video, or film.

Israeli artist Rona Stern (1984) creates carefully thought out visual constructions by combining diverse elements taken from her immediate environment. 

A representative of the young generation of Ukrainian artists, Nikita Kadan is the recipient of the main PinchukArtCentre Prize in 2011 and the Future Generation Prize in 2014, a member of the art group R.E.P. (Revolutionary Experimental Space) since 2004, a founding member of the curatorial and activist union Hudrada since 2009, and a co-editor of the Kiev-based online cultural magazine Prostory. Completing his two-month residency in Ljubljana, he is presenting himself with a solo show at the Cultural Centre Tobačna 001.

A representative of the young generation of Ukrainian artists, Anna Zvyagintseva is this year’s recipient of the main PinchukArtCentre Prize, a member of the curatorial and activist union Hudrada since 2010, a co-founder of ISTM (Art Workers' Self-Defence Initiative), and a co-editor of the Kiev-based online cultural magazine Prostory. Completing her two-month residency in Ljubljana, she is presenting herself with a solo show at the Cultural Centre Tobačna 001.

The project "Die Grüne" is a visually diversified ambient installation combining photography, ready-made, drawing, and objects. As such, it sheds light on the artist’s practice, which is at once characterised by a masterful play with different media and a confrontation of opposing content layers.

The work of the Bulgarian artist Kamen Stoyanov focuses on the questions of identity, migration, historical definitions and on topical issues regarding social and cultural development. Stoyanov always uses his own perspective, creating his works by gathering first-hand experiences of the social, artistic, cultural relations of the country he is researching at the time.