Exhibitions

"I think that we are, that most Slovenians are very humble, um, that we're nice, that we know how to take care of the environment, most of us do." (Alina, 10 years old)Growing up is political; we are conditioned ideologically and affectively by the social communities that surround us. Referring to this, Dejan Kaludjerović’s art project Conversations: Hula-Hoops, Elastics, Marbles and Sand (2013–present) reminds us of the fact that childhood is not spared from political reality and political thought however much this period of life, often referred to as the age of innocence, may be devoid of social responsibility for the things that happen and will continue to happen in the future. 

In 1966, it took youth brigades, supported by the wider local community, lottery and the former construction giant Vegrad, less than fifty days to build 2000 square metres of exhibition spaces that were festively opened under the auspices of the United Nations. The twentieth anniversary of the end of the Second World War and the publication of the Universal Declaration of Human Rights inspired the title of the exhibition – Peace, Humanity and Friendship among Nations.

London-based Slovenian artist Jasmina Cibic is being presented to Ljubljana’s audience with a segment of a tripartite exhibition and film project entitled ‘Spielraum’ that draws on an essay by the Austrian writer, translator and satirist Karl Kraus.

In his artistic practice, Dante Buu (Rožaje, Montenegro) combines photography, text, video, embroidery and performance. His works are underscored by an incessant inquiry into the increasingly blurred boundaries between the private and the public as well as between the voyeuristic and the participatory. In addition, they scrutinise traditional gender roles and associated stereotypes as well as ever more fluid identities in the digital era.

The Rijeka-based art collective Focus Grupa is presenting itself to Ljubljana’s audience with an exhibition that wraps up its two-month residency at the Cultural Centre Tobacco 001. In the recent years, Iva Kovač and Elvis Krstulović, the two members of the collective founded in 2012, have been looking into power relations within the contemporary art field, which is firmly embedded in economic, social and, not least, political reality.

Dušica Dražić’s art practice primarily encompasses installations combining objects and video. Her works thematise spatial irregularities that offer possibilities for transformation. Wim Janssen works with a cross section of technologies and investigates the functions of audiovisual media. He usually presents the results of his investigations in the form of installations, video, or film.