Exhibitions

After being with us for more than seven months, we have now said goodbye to the incredible exhibition, which was realised in extraordinary times. The exhibition of contemporary Indonesian engaged photography, which inspired us, moved us deeply, and led us to look beyond the horizon of stereotypes is still virtually accessible – through the photographs and virtual tours.

Vision 20/20 is part of a broader vision of Jakopič Gallery, which is to learn and give opportunities for learning. Learning about others, about them, but through them and through photography – about ourselves. 

Each of the objects or their photographic images exhibited has a very specific symbolic value that can only be recognised within the context it has been taken from: Tacitus’ Germania, an ex-voto figure from the Church of the Mother of God at Mount Brinjeva gora, Tina Maze’s Olympic gold medal, a silicone breast implant, a voting box from the 1990 referendum or a tiny fragment of the Berlin Wall, to mention just a few.

This exhibition of one of the great photographers of the 20th century was originally presented at the Jeu de Paume, Paris’ foremost photographic gallery. In the spirit of Lucien Hervé’s reflection that “at best, one can hope to beget a vague idea of the whole by defining an intimate detail”, the Jakopič Gallery exhibition aims to contribute towards the appreciation of the rich legacy collectively created by authors working in this medium both locally and internationally.

In his 20-year career of exhibiting, DK has always known how to surprise us with unexpected series in a wide range of different photographic genres, many of them also demonstrating social engagement. He has been working on this exhibition, Scotoma, for the last four years, always with the intention of holding it in the Jakopič Gallery. It is the first time he has devoted an entire exhibition to abstract photographs.

The exhibition offers an unfamiliar perspective of Iraq through the eyes of a generation of young local photographers. The work of these photographers forms a unique and previously unseen view of Iraq and captures the fragmented picture of contemporary life across the country: from the vastness of the mountainous northern borderlands, to a multiplicity of scenes across the country, with the fading flashbacks of its recent history and the effects of the ongoing conflict.