group exhibitionFree sun
16. 4. 2020–14. 6. 2020
The exhibition presents: Špela Čadež (in collaboration with Zarja Menart and Anka Kočevar), Olja Grubić, Duša Jesih, Simona Semenič and Nada Žgank, Maja Smrekar, Viktor Bernik, Žiga Kariž, Gorazd Krnc, Arjan Pregl, Miha Štrukelj, Sašo Vrabič.
skupinska razstavaŽivi objekti
24. 6. 2020–30. 8. 2020
V sklopu razstave se predstavljajo: Špela Petrič, Maja Smrekar, Saša Spačal, Robertina Šebjanič, Polona Tratnik. Številni umetniki v Sloveniji delujejo na presečišču umetnosti, znanosti ter tehnologije in osnovno izhodišče razstave Živi objekt je na predstaviti glavnih akterjev bio-umetnosti.
samostojna razstavaDragica Čadež
17. 9. 2020–8. 11. 2020
Akademska kiparka Dragica Čadež sodi med prve slovenske umetnice, ki so se posvečali skulpturi kot odprti formi, razširjajoč jo v prostor, kjer je gledalcu omogočeno potovanje ne samo ob skulpturi, ampak tudi skoznjo. Po letu 2000 je v kiparkinem opusu nastalo mnogo pomembnih del v glini.
samostojna razstavaJože Barši
26. 11. 2020–17. 1. 2021
Jože Barši, ki je na umetniško sceno vstopil konec 80. let prejšnjega stoletja kot pripadnik generacije kiparjev t .i. Novega slovenskega kiparstva, je pomembno zaznamoval razvoj slovenske sodobne vizualne umetnosti po letu 1990. Že na samem začetku se je začel ukvarjati s spreminjanjem odnosa umetnika in publike do umetniškega dela.
Overview exhibitionJiři Bezlaj
28. 11. 2019–19. 1. 2020
It was the first time I took a thorough look at it, it was lying on the river bank and shimmering unusually, it was a sunny day and the clear sky was above us, a blue sky spread over the stone and me, the air was clear, sharp and cool and I, the sculptor, I gazed at it for a long time, not wanting to look away, I did not move, not for a millimetre did l move my feet, I stood upright, stood still in the place and kept my eyes down, on it, on the stone I was looking, the stone which was lying quietly there on the shore and waiting.
group exhibitionAfter the Canal there was only "our" world
19. 9. 2019–10. 11. 2019
Artists presented at the exhibition: Ibrahim Ahmed, Amado Alfadni, Meriç Algün, Pavel Brăila, Chto delat?, Shatha Al-Deghady, Marianne Fahmy, Iulia Toma. “The sea is walking in the streets”, wrote Mahmoud Darwish in 1982, in his Memory for Forgetfulness, during an actual siege replete with cuts of the water supply to the city and rocket fire trails. Yet in more recent years “Europe under siege” has become a curiously common phrase describing a landlocked imaginary full of fears, not so much of the underground streams gushing forth from the darkness beneath, but of the external seas walking on European streets and the threat of aberrant fires.
INTERNATIONAL COLLABORATIONTadej Pogačar
23. 8. 2019–13. 9. 2019
CODE:RED, one of the most significant projects of the Slovene artist and curator Tadej Pogačar is being presented to the Rijeka audience for the first time. It is accomplished in collaboration of MMSU Rijeka with the City Art Gallery Ljubljana and P74 Gallery.
international collaborationVlado Martek
12. 7. 2019–8. 9. 2019
The first retrospective of Vlado Martek art in Rijeka, "Exhibition with Many Titles", presents a wide variety of media, concepts and topics whose point in common is the artist’s experimental use of language. The exhibition reveals the artist’s beginnings in the 1970s, his breakthrough onto the art scene after graduating in literature and philosophy, and his work as a member of the Group of Six Authors, which left an impact on Martek’s art in general.
group exhibitionExhibit A
20. 6. 2019–8. 9. 2019
Nika Autor, Boris Beja, Anca Benera & Arnold Estefan, Nemanja Cvijanović, Lana Čmajčanin, Minna Henriksson, Sanela Jahić, Nikita Kadan, Mark Požlep, Lala Raščić, Kamen Stoyanov, Sašo Sedlaček, Katarina Zdjelar
overview exhibitionMarjan Gumilar
4. 4. 2019–2. 6. 2019
Rather than a classic retrospective overview, this exhibition of Marjan Gumilar’s painting thematically revolves around one of the main recurring and constitutive elements in his art, a correlate in the process of constructing the pictorial field – the cut as the functional prerequisite of montage in various positions and pictorial relations, initially a part of his early collages and a method of work in his recent visualizations.