Exhibitions

Rather than a classic retrospective overview, this exhibition of Marjan Gumilar’s painting thematically revolves around one of the main recurring and constitutive elements in his art, a correlate in the process of constructing the pictorial field – the cut as the functional prerequisite of montage in various positions and pictorial relations, initially a part of his early collages and a method of work in his recent visualizations.

Reality knows no tranquility. A work of art either moves toward presenting reality or away from it in order to forge its own parallel reality: like any visual work of art, the comic lies within these principles of presenting any reality.

Academic sculptor and academician Drago Tršar has for many decades marked the Slovenian artistic space with a great creative energy and author's recognizable artistic language.

From its inception in 1999 and its first public manifestation at the 2001 Venice Biennale, Tadej Pogačar’s "CODE:RED" has seen numerous presentations, interpretations, and analyses.

Artists presented at the exhibition: Suzana Brborović, Špela Čadež, Olja Grubić, Duša Jesih, Simona Semenič & Nada Žgank, Maja Smrekar. Following last year’s group exhibition of male painters, provocatively entitled "Better Doggy Style Than No Style", staging a show featuring an all-female selection was a must this year, in part also due to last year’s polemics a propos the not yet eradicated discrimination against women in society, and therefore in art and culture.

Retrospective exhibition gives an overview of the sixty-year practice of Tomislav Gotovac  a.k.a. Antonio G. Lauer (Sombor, 1937 – Zagreb, 2010), a pioneer in many different media, from experimental to structural film, from happening to actions and performances.