Events: MGML

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

Presentation of the new issue of the Fotografija Magazine (selected essays on the theory of photography) and a lecture by the British artist and theoretician Victor Burgin, the author of the essays

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.