Events: MGML

You are invited to join us at the regular Saturday guided tour of the "Jaka Babnik: Pygmalion" exhibition. The myth of Pygmalion and Galatea, from Book 10 of Ovid’s Metamorphoses, serves as a symbolic backdrop, facilitating in both substantive and formal terms a reflection on the relationship that invariably arises between the chosen object, its photographic image, and the space in which they are viewed.

Fajfrić concluded his artist residency in Ljubljana by producing two videos, combined with collages and archival materials, in which he reinvents a specific modernist narrative that fuses historical facts with an invented story about two individuals: the Dutch painter and modernist Theo van Doesburg and the Yugoslav architect Nikola Dobrović.

Bojan Fajfrić’s exhibition The Void conveys a specific manner of viewing history by conflating personal memories, collective historical consciousness and the inevitable events, while the use of non-linear timeline in his videos and films often turns them into speculative history.

The second part of the retrospective exhibition by the Croatian conceptual artist Vlado Martek aims to show the shifts and limitations of artistic expression as well as the ways of presenting and transmitting art from the 1970s to present day.

The second part of the retrospective exhibition by the Croatian conceptual artist Vlado Martek (the first one was presented in Rijeka in June 2019) aims to show the shifts and limitations of artistic expression as well as the ways of presenting and transmitting art (spanning poetry, media deconstruction, and a breakthrough to public space) from the 1970s to present day.

The second part of the retrospective exhibition by the Croatian conceptual artist Vlado Martek aims to show the shifts and limitations of artistic expression as well as the ways of presenting and transmitting art from the 1970s to present day.

The second part of the retrospective exhibition by the Croatian conceptual artist Vlado Martek aims to show the shifts and limitations of artistic expression as well as the ways of presenting and transmitting art from the 1970s to present day.

The second part of the retrospective exhibition by the Croatian conceptual artist Vlado Martek aims to show the shifts and limitations of artistic expression as well as the ways of presenting and transmitting art from the 1970s to present day.

The second part of the retrospective exhibition by the Croatian conceptual artist Vlado Martek aims to show the shifts and limitations of artistic expression as well as the ways of presenting and transmitting art from the 1970s to present day.