The basic principle of operation followed by the artist is the exploration of intermediate spaces both in the physical sense, where electronic signal – acoustic or visual – are produced via home-made interfaces, as well as in the ideational sense, where human perception is explored in a world suffused with electronic communication, digital devices and technology. Namely, human perception is adapted to a certain kind of use of technology and, therefore, it is limited to a certain type of experience. By creating hybrid technological, electromagnetic or chemical systems, Marko Batista challenges the mystification of technology while he also opens up new ways of thinking about it. With his experimental systems, which bring together various fields, he expands the field of human sensorial perception and the phenomenology of unstable audio-visual systems in space and time.

The exhibition responds to the exhibition space of the Museum of Modern and Contemporary Art Koroška and it works as an integral work of art, which makes it possible for the viewer, depending on his position in space, to get an audio-visual impression of the whole or of the individual modular objects.

As regards content, the projects are divided into three exhibition clusters distinguished by the basic principle of "operation".The experimental systems of electromagnetic radiation and transfer of information deal with the exploration of visual and sound images, be it sound interventions in space or the fragmentation of media images in the transfer of information.

The cluster entitled Electro-Chemical Systems is based on the interweaving and the mutual impact of electric and chemical processes, in which electric impulses travel through a series of fluid matters, converge in spatial sound stimuli and produce unpredictable effects. In the final, third cluster entitled High-Voltage Experimental Systems, the author explores the impact of high voltage, which enables the creation of specific architectonics of signals, whose mapping, manipulation and distribution with the system are manifested in the visual and acoustic field of the spectator confronted with real-time projections and a synchronous acoustic backdrop.

The repetitive, mutating structures of audio and video elements trigger unpredictable effects at various psycho-sensorial levels of the spectator’s perception.The artist’s installations reveal his specific relationship to technology, which, on the one hand, he demystifies by using “low-tech” elements and by visualising its processes, while on the other hand, he introduces the element of the unknown and he moves on the cusp between controlled and chaotic modular systems. The artist’s intermedia practice also introduces the concept of time. By situating the event – the operation – in the museum space, he renders his objects permanent (for the duration of the exhibition) in their existence in the museum space and because they exist only through process – they are temporally limited, while the museum space loses its timelessness.

Nine projects are presented at the Match Gallery – they were created over the past six years and they offer and insight into the artist’s creative work.

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Marko Batista is a Ljubljana based tech-mixed-media artist, sound researcher, video experimentalist and AV performer, born in Tito’s Yugoslavia. Batista focuses on themes such as displaced sound-scapes, video transformation processes, networking data, collaboration, linking concepts, hybrid spaces and other fields of contemporary media art. Graduated from Academy of Fine Arts in Ljubljana and finished Master of Arts degree from Central Saint Martins in London. Marko Batista is a founding member of experimental multimedia group Klon:Art:Resistance. E participated at numerous festivals and exhibition spaces like 10. International Istanbul Bienale, Ars Electronica 2008, Cellsbutton#3 Jogjakarta, Zero Gallery/Transmediale Berlin, NetAudio Festival London, razstava Device Art Prague, Spajalica/MMSUM Rijeka, Temporary Object and Hybrid Ambients in KGLU Slovenij Gradec.